Mixing Consoles
YAMAHA M7CL 48 DIGITAL MIXING CONSOLE

Click on Image 		• Yamaha Centralogic™ interface with touch-screen allows total control from an easily accessible central area. • The M7CL-48 provides a total of 56 inputs – 48 mono mic/line inputs and 4 stereo line inputs. • 27 buses in the form of 16 mix buses, an LCR bus, and eight matrixes that can be used with inputs as well as buses. • Straightforward connection via analog input connectors for every input channel. • 16 analog “omni” outputs as well as a 2TR digital output. • Three Mini-YGDAI I/O card slots can accommodate up to 16 channels of digital or analog I/O each, for up to an addition 48 I/O channels. • Eight DCA groups and eight mute groups. • Virtual 8-unit rack for effects and graphic EQ. • Advanced access management functions provide multi-level control over user access. • Recallable right down to head amp gain, plus safe and focus functions.

YAMAHA PM5D DIGITIAL MIXING CONSOLE

Click on Image 		• The PM5D features standard high-performance head amps, while the PM5D-RH adds head-amp recall capability that allows head amp gain settings to be recalled along with the other console scene data. • 48 mono and 4 stereo inputs, 24 mix buses and 2 stereo outputs, and 8 matrix outputs (expandable). • Custom “DSP7” LSI for ultra-high-speed 96-kHz/32-bit processing. • I/O capacity and functionality can be doubled or tripled by adding one or two rack-mountable DSP5D Digital Mixing Systems. • Easy “virtual soundcheck” with individually assignable channels does not require complex re-patching. • Built-in VCM (Virtual Circuit Modeling) effects offer impeccable simulations of classic signal processing gear. • 8 high-performance multi-effect processors and 12 graphic equalizers built in. • Enhanced security features keep the system operating flawlessly in any application.

ALLEN & HEATH GL2200 32 CHANNEL CONSOLE

Click on Image 		-2 STEREO CHANNELS -4 band EQ, full routing and mute. Mono mic and stereo line inputs -2 STEREO RETURNS with 60mm faders, EQ and aux sends -4 AUDIO GROUPS panned subgrouping to LR -6 AUXILIARY SENDS 1-4 and 5,6 switchable pre/post. Can reverse with fader masters for monitor mode -4 BAND EQ There are separate controls for sweep on the mid bands allowing pin point enhancement at key frequencies.

YAMAHA LS9-32 DIGITAL MIXING CONSOLE

Click on Image 		•32 mono mic/line input channels plus 4 stereo input channels, expandable up to 32 or 64 channels in two layers. • 16 mix buses, 8 matrix buses, plus stereo and mono buses with LCR mode. • Top-performance analog mic/line preamplifiers. • Compact and light enough for one person to move and set up easily. • Yamaha Selected Channel interface allows smooth, intuitive access to detailed channel functions via a color LCD display and logically arranged encoders. • Extensive gating, compression, and equalization facilities. •Built-in USB memory recorder/player for recording or BGM playback. • Virtual Rack packed with effects and EQ for just about any processing requirements. •Scene memory for instant store and recall of all console parameters, including head amp gain. • Advanced access management includes user keys (standard USB memory devices) that can be issued with different access levels for different users.

SOUNDCRAFT LX7ii 16 CHANNEL MIXER

Click on Image 		•GB30 mic preamp and precision equalisation circuitry •True 7-bus architecture •2 stereo inputs •2 stereo returns •Channel direct outputs •Talkback facility •100mm faders •+48 phantom power •6 aux sends, 4 of which are pre/post switchable •18dB/octave high pass filter •Group and mix inserts •12-segment LED metering •Integral universal voltage, switched-mode PSU for light weight.

SOUNDCRAFT SPIRIT E-8

Click on Image 		*8 mono input channels *2 stereo inputs *2 aux sends, switchable pre or post fade *100mm faders *Internal power supply *Simple rack mounting options *Effective grounding eliminates noise and crosstalk * 3-band EQ with swept mid *High-quality, linear mic pre-amps with smooth gain control *Multi-point signal channel status monitoring *+48V phantom power for condenser microphones *Professional insert points for external processing